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Τετάρτη 16 Μαρτίου 2016

Heinz Schön, the survivor of the greatest naval disaster of all time and his last will to be buried at the wreck of the Wilhelm Gustloff




Many ships have sunk with horrible loss of life, but never have so many lives been lost with a single ship. 


When the Wilhelm Gustloff was torpedoed by a soviet submarine and sank, it was an event unlike any in naval history, because of the sheer scale of the tragedy. 


According to the list of passengers on the 30th aboard the Gustloff were 918 Naval officers and men, 173 crew, 373 members of the Woman's Naval Auxiliary units, 162 wounded, and 4,424 refugees, for an official total of 6,050 people. 


This is according to the official list though and doesn't take into account the many hundreds of other people that one way or another, were able to make their way onto the seemingly safe decks of the Gustloff. 



In fact, research has proved that the total number of people on the Gustloff at the time it was sunk was actually 10,582! 


One survivor of this unspeakable tragedy, Heinz Schön, who at the time of the sinking was a 19 year old assistant purser aboard the Wilhelm Gustloff, dedicated his whole life in piecing together the tragedy. 


Heinz Schön has set the number of people on the Gustloff as follows: 

8,956 refugees, 918 officers NCOs and men of the 2.Unterseeboot-Lehrdivision, 373 female naval auxiliary helpers, 173 naval armed forces auxiliaries, and 162 heavily wounded soldiers, for a total of 10,582 people on board on January 30th.


Schön passed away in 2013 and his last will was to be buried at the shipwreck, along with so many of his friends and thousands of people who tragically perished in the shipwreck.


A team of scuba divers, including Dimitris "Dima" Stavrakakis and Tomasz "Tomek" Stachura from Poland, materialised Heinz Schön's last will: 

They dived at the haunting wreck and put a commemorative plaque as well as an urn containing Schön's ashes at the Wilhelm Gustloff.


Like all naval tragedies, the scene was one of sheer and complete horror. The suffering of those on the Gusltoff was unspeakable, it transcends all time and place, all nationality, and all borders.


At around 9 p.m. on January 30, 1945, Adolf Hitler was speaking to the German people. In the packed dining hall of the luxury liner "Wilhelm Gustloff," as in most of the rest of the country, a radio was broadcasting Hitler's address, but the thousands of refugees from Pomerania and East and West Prussia who had struggled onto the ship weren't listening to the nazi dictator now.


They wanted one thing - to be rescued. Only very few, 1,252 to be precise, made it off the steamer alive, of the well over 10,000 - mostly women and children, but also crew and soldiers. 

The ship had been hit by three Soviet torpedoes within an hour; the temperature outside was minus 18 degrees Celsius.



Dimitris "Dima" Stavrakakis, from Gdynia, Poland, shares with pierrekosmidis.blogspot.com his experience diving at the Wilhelm Gustloff:


"No matter what you have read or heard about the "Wilhelm Gustloff" shipwreck, you just cannot grasp the magnitude of this tragedy where thousands of people, including women and children, drowned", scuba diver Dimitris "Dima" Stavrakakis, from Poland, says to pierrekosmidis.blogspot.com.

"Once I was inside the ship and lit the place with my torch, huge piles of bones and sculls were all over the place, at some points the human remains were piled over a metre high", Dimitris Stavrakakis adds.



"Each shipwreck is a reminder of a human tragedy; you have to approach it with respect and dignity. 


When I first started diving at shipwrecks, I was focusing on the technical aspects of the dives, but as soon as you start researching the history of the ship, you cannot help but become sensitive to the loss of life and the unspeakable proportions of this tragedy", Mr. Stavrakakis says.


The Gustloff is not only the biggest loss of life because of a shipwreck, but the story of Heinz Schön, who tried for decades to make the wreck known, is an example of a man who dedicated his whole life to the memory of the lost people, Mr. Stavrakakis explains and adds:

"Our dive at the Gustloff had a special significance for all of us: German diver Matthias Schneider overcame all bureaucratic obstacles, in order to dive at the protected site of the wreck and 3 divers from Poland were part of the team.


Diving at the Gustloff is technically demanding, because of the conditions: Cold water, low visibility, ghost nets are all obstacles you have to take into account. When you know you are about to dive at a wreck which is essentially the final resting place of so many thousands of people, you cannot help it but feel sad."


Mr. Stavrakakis and his fellow divers carried the urn with Heinz Schön's ashes. "With utmost respect, we placed the urn and the plaque at the wreck and my thoughts were that at last Heinz found his friends", Mr. Stavrakakis says.



Dimitris "Dima" Stavrakakis, one of the most active wreck divers in the Baltic Sea from Gdynia, Poland, as his name implies, is of Greek descent. His family history is directly linked to the history of Greece, as it unfolded during the Civil War that was fought in the country, from 1946 to 1949 and is reminiscent of the "Odyssey": In Dima's own words: "I was born in 1966, to a Greek father and mother. Both were refugees that fled at a very young age the Greek Civil War, my mother was 9 years old at the time, my father was 12. My mother lived in Bulgaria for a year, then in Romania for another year and she ended up in Poland, where her mother, my grandmother, found her after many years in exile. My parents returned back to Greece in the late 1980s and my sister is currently living in Athens too. I served my military service in Greece, I am married and live in Gdynia, Poland"


Tomasz Stachura is one of the most active wreck divers in the Baltic Sea. 

He specializes in deep wreck photography. 

He has taken thousands of underwater pictures of Baltic wrecks as well as many caves on different continents. At present he is working on an innovative way of presenting wrecks in 3D technology. 

His photo was on the covers of National Geographic in Germany, Sweden, Spain, Portugal and Poland in 2014 and 2015.

The whole situation is indeed noteworthy as a great success, because it is only the third time in the history of the magazine, when the picture of Polish photographer goes on the cover of another country. 

Through the last two years this legendary mosaic of the Swedish wreck aroused admiration around the world. Consisting of approx. 650 photos (selected from over 1200!), the whole is a true work of art and the level of difficulty to carry out and a full size are able to understand only those who realize what an underwater photography on deep wrecks really is.

It is one thing to dive to 70m, and another repeatedly dive to 70m with a camera and make a few hundred images, which then through hundreds of hours a person has to wrestle in a graphics program to combine them together like pieces of a puzzle. 

No wonder that for the combination of hard work, talent and extraordinary skills Stachura was honored with this remarkable distinction (which he refers as his Mount Everest), which is the cover the foreign edition of National Geographic.

Member of the Explorers Club New York. Founder, owner and CEO of SANTI Diving – a worldwide diving company producing diving equipment. Co-founder of an international Baltictech Conference dedicated to promotion of the wreck diving in the Baltic Sea.

Originator and chief of the ‘SANTI Find the Eagle’ expedition – a long term project aiming to find wreck of the submarine ‘Eagle’ (ORP Orzeł) lost in the North Sea in 1940.

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HMS Maori: Scuba diving at a WW2 wreck, through the lens of Leonidas Stavrou


Photos and Text by Leonidas Stavrou

The Maori was bombed on February 14th 1942 whilst in Valletta Harbour, receiving a direct hit to the engine room which killed one person. 


Fortunately the rest of the crew were not on board. It is of historical importance as it helped crack the code to sink the Bismark. 

Originally it blocked a major shipping lane so was towed out of the way, but it broke into two. 


Only one section is now diveable, which is heavily broken up. The guns were removed, but the rings they were mounted on can still be seen, as can some torpedoes. It is buried deeply by sand and the bridge is the only part still to remain intact.


The HMS Maori belonged to the tribal class of destroyers, designed to be fast rather than having superior firepower. She saw considerable action in the North Atlantic before the was moved to the Mediterranean where she was involved in several remarkable missions, among them the sinking of the Italian cruisers Alberico Da Barbiano and Alberto Di Guissano.



In 1942 Malta was the last allied outpost in the Mediterranean and the Axis powers tried to bomb Malta out of action went. For 141 consecutive days the bomb campaign on until the siege was finally called off after the arrival of the tanker Ohio. 


London, as a comparison, was bombed for 40 days – Malta saw another 100 days of action! Due to the constant threat of bombs ships moored in the harbours were practically empty during night time and this is probably why only one man was killed when a bomb hit the engine room in the morning of February 12th 1942. 


Another ship shrouded in legend is the Bismarck. As the Titanic, she was the biggest ship of her time and also her sinking included a great deal of drama. 


Fighting against a very superior enemy she could finally not withstand any longer and sank in the North Atlantic at a depth of over 4000 meters. 


Some 2000 people lost their lives but some were saved by the allied ships. One of the ships that picked up survivors were the HMS Maori. 














Location: Marsamxett Harbour, Valletta, Malta. 

Τype: Destroyer

Length: 35 metres (115 feet) still intact

HMS Maori was a Tribal-class destroyer named after the indigenous Māori people of New Zealand. She served with the Mediterranean Fleet until she was bombed by German aircraft while at Malta in 1942 causing her to sink.


READ MORE HERE AND HERE

Σάββατο 12 Μαρτίου 2016

Ο Σταμάτης Πολενάκης από τη Σίφνο και η πρώτη ελληνική ταινία κινουμένων σχεδίων το 1942

The caption reads: "Il Duce getting ready to inspect the Italian fleet"



Πέντε χρόνια μετά την προβολή της ταινίας "Η Χιονάτη και οι 7 Νάνοι" (1937), την πρώτη μεγάλου μήκους ταινία με κινούμενα σχέδια που υλοποιήθηκε από τον οργανισμό Walt Disney Productions, ένας Έλληνας σκιτσογράφος και αυτοδίδακτος animator, ο Σταμάτης Πολενάκης (1908-1997), σχεδιάζει και σκηνοθετεί την πρώτη ελληνική ταινία κινουμένων σχεδίων μικρού μήκους με τίτλο 




Ήταν χειμώνας του 1942 στη Σίφνο και μάλιστα στη διάρκεια της γερμανικής κατοχής. 

Ο Πολενάκης κατέφυγε στην πατρίδα του μετά την είσοδο των Γερμανών στην Αθήνα (27 Απριλίου 1941). 

Η ταινία κινηματογραφήθηκε τρία χρόνια αργότερα, το 1945, από τους Πρόδρομο Μεραβίδη και Παπαδούκα στα κινηματογραφικά εργαστήρια που είχε ιδρύσει ο πατέρας του πρώτου, Δημήτρης Μεραβίδης, στην οδό Πανεπιστημίου 56, όπου σήμερα βρίσκεται ο κινηματογράφος “Ιντεάλ”. 




Η ταινία είναι μια αντιφασιστική σάτιρα, με τον Ντούτσε να προσπαθεί να καλύψει με ψέματα την ήττα του από τους Έλληνες. 

Ευρήματα και σκηνοθετική τόλμη χαρακτηρίζουν αυτή την πρώτη ηρωική ελληνική προσπάθεια στο χώρο του animation. 

Ο Στ. Πολενάκης ήταν απόφοιτος της Ανωτάτης Σχολής Καλών Τεχνών και ασχολήθηκε με τη διαφημιστική μακέτα, τη γελοιογραφία και το ευθυμογράφημα. 

Ο πιο γνωστός χαρακτήρας στις γελοιογραφίες του ήταν ο “Σπαγκοραμμένος”, που δημοσίευε επί σειρά ετών στο περιοδικό “Ρομάντσο”.



Αν και ο δρόμος είχε πλέον ανοίξει και η άνθηση του ελληνικού κινηματογράφου που θα ακολουθούσε τις δεκαετίες του ’50 και ’60 θα μπορούσε να συμπαρασύρει την παραγωγή του ελληνικού animation, εντούτοις παρέμεινε για σαράντα και πλέον χρόνια υπόθεση μεμονωμένων και ηρωικών προσπαθειών διαφόρων καλλιτεχνών με μεράκι, πάθος και πείσμα. 

Η αδιαφορία των παραγωγών να συστήσουν οργανωμένες εταιρείες κινουμένων σχεδίων, όπως η “Finos Film”, η “Νόβακ Φιλμς”, η “Ανζερβός” για τις ταινίες με ηθοποιούς, οδήγησε τους περισσότερους επίδοξους δημιουργούς κινουμένων σχεδίων σε άλλες δραστηριότητες, και μετά το 1970 στην τηλεοπτική διαφήμιση. 

Εκεί εκπαιδεύτηκαν στην τεχνική του animation, απέκτησαν πείρα στο art direction και το post production, αλλά δεν εξέλιξαν ιδιαίτερα τα αφηγηματικά τους μέσα και γνώσεις. Άλλοι πάλι στράφηκαν μετά από λίγες προσπάθειες στην εικονογράφηση, τη ζωγραφική, τη γραφιστική ή στις ταινίες live action.


Ο Σταμάτης Πολενάκης σε σχέδιο του ομότεχνου Αιγυπτιώτη εξαδέλφου του Νάνου Ρωμάνου περίπου το 1950


Παρασκευή 11 Μαρτίου 2016

The Bulgarian occupation of northern Greece through a propaganda postcard


A postcard showing a Bulgarian man in a rather... WW1 looking military aircraft, which bears the inscription "Serres" (a Greek town in Macedonia) on its fuselage.

The Bulgarian occupation of northern Greece, the "new territories" as the Bulgarians, allies of the nazis during WW2, named the parts of Greece that were given by Germany to them, was brutal, with mass executions, deportations and imprisonments being a daily routine.  



Secrets of the Luftwaffe: The "Lotfe 7B" bomb sight


The Carl Zeiss Lotfernrohr 7 (Lot meant "Vertical" and Fernrohr meant "Telescope"), or Lotfe 7, was the primary series of bombsights used in most Luftwaffe level bombers, similar to the United States' Norden bombsight, but much simpler to operate and maintain. 


Several models were produced and eventually completely replaced the simpler Lotfernrohr 3 and BZG 2 bombsights. The Lotfe 7C, appearing in January 1941, was the first one to have gyroscopic stabilization.


In spite of the security precautions, the entire Norden system had been passed to the Germans before the war started. A member of the German Duquesne Spy Ring, Herman W. Lang, who had been employed by the Carl L. Norden Corporation (manufacturers of the Norden bombsight), was able to provide vital details of the new bombsight to the Abwehr


During a visit to Germany in 1938, Lang conferred with German military authorities (Oberst Nikolaus Ritter of the Abwehr) and reconstructed sketches and plans of the confidential materials from memory.


The Norden consisted of two primary parts, the optical system, and a large stabilization platform. Both were complex and had to be separately maintained to keep them operational.

German instruments were actually fairly similar to the Norden, even before World War II. In the Lofte 7, a similar set of gyroscopes provided a stabilized platform for the bombardier to sight through, although the more complex interaction between the bombsight and autopilot of the Norden was not used. 


The Lotfe 7 was dramatically simpler, consisting of a single metal box containing the vast majority of the mechanism, with a tube (Rohr) extending out the bottom with a mirror that reflected the image of the target into a small telescope in the box. 


The mechanisms within combined the functions of the Norden's stabilizer and optics, moving the mirror to stabilize the image as well as tracking the target. The controls were likewise much simpler than the Nordens', consisting primarily of three large knurled knobs to adjust aim.


Operation was fairly similar to the Norden. The bombardier would first locate the target in the bombsight and continue to adjust the dials until it remained motionless in the eyepiece. This allowed the bombsight to calculate the wind speed from the cancelled out drift rate, which in turn allowed to make an accurate calculation of groundspeed. 

Unlike the Norden, the Lotfe 7 could view targets directly in front of the aircraft, so the bombardier could use the real target for adjustments, rather than having to "tune" the instruments on a test target located closer to the aircraft. The bombsight could be used against targets 90° to 40° in front of the aircraft, and up to 20° on either side. 

On final approach, the autopilot was engaged, while the bombsight adjusted the flight path in response to last-minute changes by the bombardier. Bomb release was normally automatic in order to reduce timing errors.

The Lotfe 7 was normally installed near the nose of the aircraft with the mirror tube projecting through the fuselage to the outside of the aircraft. 


In most installations, like those in the Junkers Ju 88 or Heinkel He 111, the tube ended in a fairing under the fuselage with a protruding flat window in front. 

In other cases, like the Arado Ar 234 or the prototype bomber conversions of the Messerschmitt Me 262, the tube was open to the air, mounted so the mirror window was almost flush with the fuselage line. 


In the case of the single-seat Ar 234, the bombsight was difficult to access, so the autopilot was engaged first, allowing the pilot to remove the control yoke and access the bombsight.

After the war about a thousand unused Lotfe 7's were found in the Zeiss factories and shipped to the USSR. 


There was an attempt to use them in the B-25 Mitchell to replace the much more complex Norden, but the Lotfe 7 interacted badly with the Si-1 autopilot and the problems were never fixed.


READ MORE HERE, HERE AND HERE 


Nazi atrocities in Crete: Murdering civilians, women and children

A photograph from a nazi propaganda publication shows German soldiers rounding up soldiers and Greek civilians in Crete. What was the fate of this man?

It has been documented by historians that even during the Battle of Crete, the Germans summarily executed civilians who took up their arms against the invading nazis, inflicting a significant number of casualties among them.


After the Battle of Crete was over, a real bloodbath started. The nazis, blinded by their revenge, murdered indiscriminately citizens of the island, including pregnant women and young children, as well as old men and women.


Furious at the resistance they met, the Germans shot, burned and bayoneted thousands of civilians, they burned down villages and committed every imaginable sort of atrocity against the population of the island, in order to terrorise them, leaving an indelible mark on the indigenous population.

“It is an endless list of tragedy,” said Efi Paschalidou from the Greek army history department (DIS).


The dispatches provided weekly casualty reports but when referring to slain Greeks, they “rarely state whether the dead are women or children,” she said. Reprisal killings were referred to as “atonement measures.”

They also list tons of goods seized at a time when much of the country was starving to death – including livestock, wheat, olive oil, vehicles and even wool carpets.


The documents relate to a four-year period which covered the invasion of Greece in 1941, the battle of Crete, the occupation of Athens and efforts to suppress the Greek resistance movement which continued until 1944.

Troops operating in Epirus, northwestern Greece, were instructed to show no mercy, Paschalidou said.

“There must be no hesitation, even towards the families... suspects must be executed on the spot,” one dispatch said, adding that weakness “would cost German blood.”

Meanwhile on Crete, which managed to hold off the invasion for longest, the high command decreed that 10 Cretans be executed for every dead or injured German. And the few Cretan laborers who agreed to work for the Germans were paid less than the cost of a loaf of bread.


“The value of this information is that it is not coming from a Greek grandfather. It's from Hitler's forces themselves,” Paschalidou told AFP.


The Viannos massacres  
A mass extermination campaign was launched by Nazi forces against the civilian residents of around 20 villages located in the areas of east Viannos and west Ierapetra provinces on the Greek island of Crete during World War II. 

The killings, with a death toll in excess of 500, were carried out on 14–16 September 1943 by Wehrmacht units. 

They were accompanied by the burning of most villages, and the looting and destruction of harvests.


The massive loss of life amounted to one of the deadliest massacres during the Axis occupation of Greece. 

It was ordered by Generalleutnant Friedrich-Wilhelm Müller, in retaliation for the support and involvement of the local population in the Cretan resistance. Müller, who earned the nickname “the Butcher of Crete”, was executed after the war for his part in this and other massacres.


The Massacre of Kondomari
The execution of male civilians from the village of Kondomari in Crete by an ad hoc firing squad consisting of German paratroopers on 2 June 1941 during World War II.

The shooting was the first of a series of reprisals in Crete. 

It was orchestrated by Generaloberst Kurt Student, in retaliation for the participation of Cretans in the Battle of Crete which had ended with the surrender of the island two days earlier.

The massacre was photographed by a German army war correspondent whose negatives were discovered 39 years later in the federal German archives.

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